Contemporary literature increasingly treats wine as a social and cultural phenomenon – a mirror of society:
Who drinks, when, with whom – and why?
Authors like Haruki Murakami, Peter Handke, and Siri Hustvedt use wine as a narrative device to explore closeness, loneliness, or memory. In Norwegian Wood, Murakami’s Pinot Noir becomes the quiet companion to a tender love story – a glass between two people drawing closer without many words. In Slow Homecoming, Peter Handke describes wine as a silent companion to thought and reflection. And when Bukowski writes about wine, it’s no advertisement for fine vintages – but a snapshot of a life between intoxication, rebellion, and raw realism.